The local Agencies in the area are probably the only ones who criticize me and have an unhealthy dislike of me, because they see themselves in the criticism I highlight and can’t take the hit, so in retaliation dish out plenty on me. Fortunately, the general public who happen across my vitriol invariably agree with me.

There is no such thing as ‘constructive criticism’ in media in this part of the world.  The closest you will get to it is perhaps religious concerns whereby a billboard shows a half naked lady (man ok) whereby some will obviously make the point that this ‘will’, (not ‘could’) offend people.  Rightly so and any Agency trying to sell their product with sex in this part of the world will surely run the gauntlet of the reverse of their intension happening. A total boycott maybe. But having said that, a little bit of sex goes well, if there is some very subtle ambiguity attached. I don’t really mean like the new Etihad TV campaign -  ‘She likes it full on’  – whereby they give the run down of how their passengers ‘Like it’ in the ‘mile high club’. Sounds very Hogan to me. That is effective, but rather blatant and over the top of heads here anyway, as it doesn’t translate well into Arabic.

Here, artistic criticism comes in the form of  ‘NO, DO IT LIKE THIS’, emanating from minds and mouths of

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Well wonders never cease.  I fight for you the public, or at least the public with a gram of sophistication who deserve, demand and wish for better media. I dream of the day when the masses will discern the difference between absolute crap and get what you pay for.  I take a lot of criticism and according to some I even take considerable risk in this warm, closed society for there still remains some of the old small time  “I HATE GEG HOPKINS” brigade out there. Those very same people who in their intimidated bigotry created more and more interest in me.

When all is said and done, I do it alone………  or do I?  Read more


The name Geg Hopkins was pretty much the be all and end all of radio and production across the Gulf in 80s and even through until now really, although the aspects of the industry have changed considerably. I came in just after Graham Carter Dimmock, he of Episode Six the forerunners to Gillan, Deep Purple and on. Graham was Eagle Studios and was and probably still is quite brilliant and had an excellent radio voice, but left the area in the early 80s. Not only technically, but direction wise, Graham Dimmock knew exactly what he was doing and a hard act to follow. Everything he did sounded FAT and I still have the old 16 channel mixer he used out in my back shed. Wanna buy it?  So that was a sort of benchmark in the area for a while. Read more


Here is just one example of what is essentially a daily occurrence in one vein or another: I was commissioned to produce and record a radio ad using my voice. It was for an Advertising Agency by the name of Gulf Saatchi. They have since dropped that tag and go about their business as something else now. At that time they hired a South African chap who I believe was their copywriter and now in the studio to produce this ad and ostensibly direct me. The script was full of the PRONOUN VIRUS and I refused to read it. I offered my services to simply re-arrange the script to avoid all the ‘WE’s and ‘Call US’ stuff. It would have taken two seconds and the resulting script would have sounded much slicker, more dynamic with better flow.  On top of that, the product/subject would have dominated as a name. Hello?  Is that not the principle? Well as is often the case when you challenge Read more